
I just finished my new Dutch website: www.tinuskoorn.nl, visit it for an up to date performance schedule and the latest videos and photos. In the near future I will start to change tenhole.com to be more and more about the harmonica and less about me.
I am what is sometimes called an overblow player and one of the few diatonic harmonica players that take the radical approach of playing everything on a single diatonic harmonica. Although the use of overblows has started to become widespread among bluesharp players the use of the diatonic harmonica as a fully chromatic instrument is still rare.
Tinus Koorn
since I'm new....means...
Just tell me, for my understanding, sind I'm new to overblowing: The overblow beans bending down just the blow reed, a half note at least, right?
I'm playing the blues harp for 50 years now, only of overblowing I got aware of in the last years. Never actually needed it.
Only sometimes, when I was playing the higher notes whil blowing, I found myself, that I could squeeze out other tones which turned out to be useful for the melody I just needed.
Using overblowing as a general technique to reach every note on a diatonic harp is an interesting approach and opens new horizons to explore to me.
Thanks for your site(s).
Just another question: Do you do special treatment of the harps for better overblowing capabilities?
--
Christoph
klink ik als wat ik jou zie en vooral hoor doen op diverse videos en geluids bestanden....
hahahaha not in my lifetime
serieus man, respect voor jouw passionele obsessie
oh en nog een klein dingetje
harmonica customizen..... een wereld aan info op overblow.com
heeft me al 3 harpjes gekost
als je de tijd de zin en de motivatie kan vinden
zou je dan een uitgebreide HOW TO willen schrijven
thanx for your music
Norton Buffalo passed away Friday Nov 30, 2009.
Anyone who plays harp has got to be aware of his talents.
In many peoples minds he may be the best harp player
...at least he is the most versital player..and one of the sweetest guys ever...
RIP
Norton Buffalo
this has been puzzling me for a while, where is middle C on the harp?
Micheal
Your friend's view of second position scales is very different from what the rest of the harmonica playing world calls a second position scale. There are a lot of scales that could be called second position scales (some 29 different scales) and they all have one thing in common: they all start on the 2 hole draw note. That is wat makes them a second position scale, the root of the scale is the 2 draw. If a scale starts on the 3 draw triple bend it is not a second position scale but a 9th position scale. Clearly he defines 2nd position as something other than "starting on 2 draw"
For example, on the C harp, on can begin with the basis Blues Scale starting on draw 2, 3' 4 blow, 4 bend, 4 draw, 5 draw, 6 blow. The next scale would be starting on the 3 triple bend, 3 draw, 4 blow, 4 bend?, 4 draw.... The third scale would be starting on the draw 3... the fouth scale would be starting on the blow 4?
Anyway... if you are aware of the "Seven Second Position Scales"... I would love to know what their tabs are. Thanks so much! Big Al
By the way my late mother had been a trumpet player.
Anyway I tried nature Boy on the Low F# diminished Seydel and it sounded great.
another song that worked out well is Autumn Leaves adn St; James Infirmary.
Ben Graves, Nashville, TN
Don't blame my teachers, the track was recorded long before I started school so it is not their fault. By the way my teachers don't play harmonica, just trumpet, so the certainly can use some harmonica lessons. Maybe you are right, maybe I should replace it with a more recent recording, but since I am in school I have difficulty finding the time to update the site and recordings.
You wrote to someone on your other site saying you had a student who can set up a harmonica for overblowing chromatic on a diatonic - Wondering if he has a waiting list - and if he is taking orders ? I live in nova scotia canada and am a tenor and percussionist - but heard Howard Levy last summer and now am keen to learn this technique -
thanks for your help
woody
Thanks a lot!
Ik zag op het bluesharp forum een berichtje van jou dat je ook les geeft. Zou je mij willen mailen hierover als je dit nog steeds doet?
Groet,
Mirjam uit Delft
Good luck with those overdraws, playing the diatonic harmonica chromatically isn't as difficult as you might think. Learning to set up the reeds properly is half the work, learning to play with good intonation the other half :)
And Happy New Year!
I used to play through a Fender Blues Junior amp, a 15 watt tube amp. Very nice sound but a bit heavy to drag around to sessions. I used it together with a Astatic 200 microphone. Lately I have been using a small Beringer preamp with an AKG C 416 condenser microphone ( I'll post a picture of me playing it), they just fit in my bag and I use them to play through the PA. I don't have the tube sound anymore but have a lot more controll over the dynamics and I like the more accoustic sound for playing jazz.
Thanks for your reply, and then another question. :) (I am writing a list of devices which famous players use.)
In your live performance or records, what kind devices do you use? Such as the brand of the MIC and AMP?
Thanks.
Thanks
Good job! I 'd like to know how long did a harp of yours live? One week . one mounth or one year?
If you want to read about overblow technique then you should visit www.overblow.com.
I do not sell harmonicas but there are a lot of custom harmonica builders that make very good harmonicas for overblowing.
Or do you sell them ,
much obliged
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